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The Japanese lacquer of the present time is not so highly prized as that of the last or the previous century. It is not so well made, partly for the reason that the workmen have lost their skill in the art, and partly because labor is much more expensive now than formerly. The prices obtained for some of the specimens of this kind of work have been very high, but they are not enough to meet the advance that has been made in wages in the past few years. The manufacturers are anxious to turn their money as rapidly as possible, and consequently they do not allow their productions to dry thoroughly. To be properly prepared, a piece of lacquer should dry very slowly; and it used to be said that the best lacquer was dried under water, so that the process should not be too rapid. The article, whatever it may be, is first shaped from wood or papier-maché, and then covered with successive coatings of varnish or lacquer; this is made from the gum of a tree, or, rather, from the juice, and it is said to have the peculiar property of turning black from exposure to the air, though it is of a milky whiteness when it exudes from the tree. It can be made to assume various colors by the addition of pigments; and while it is in a fresh condition coatings of gold-leaf are laid on in such a way as to form the figures that the artist has designed. Every coating must be dried before the next is laid on; and the more elaborate and costly the work, the more numerous are the coatings. Sometimes[Pg 251] there may be a dozen or more of them, and pieces are in existence that are said to have received no less than fifty applications of lacquer. A box may thus require several years for its completion, as the drying process should never be hastened, lest the lacquer crack and peel when exposed to the air, and especially to heat. Good lacquer can be put into hot water without the least injury; but this is not the case with the ordinary article. With the rein dangling under the bits he went over the fence like a deer. "Now you can come along with me," he said. "If you like to walk you can, and if you like to pay for a cab I am agreeable. What do you say?" The time had come. Leona Lalage knew it as well as if she had seen the writing on the wall. This man had come for her; she would have no time to make her peace with the world. When he had his say he would drive his knife into her heart, and there would be an end of it. So I thought that I might chance it. The house was some distance from the station, near the railway line; opposite stood a sort of goods station guarded by six soldiers. Before entering the house I had a chat with them, for I thought that if I explained my position and told them that the commanding officer gave me permission to pass the night in that house, I should be much safer if anything should happen during the night, because they knew then that they had to deal with a neutral journalist. They might moreover warn me should the fire that was raging all around reach that house. So I told the whole story to these fellows, who were also more than half drunk, showed them my passports, gave them some cigars, and after a friendly chat went123 to the old man who was to put me up for the night. Plus n’est le temps où de mes seuls bouquets [77] Chapter 7 "I don't think so." HoME搜狗性爱3p
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